“There was something magical there, something we couldn’t put our finger on. He always says that we became this third thing when we got together — something that neither of us could have become by ourselves — and I think that’s true.”
— Susan Downey, Harper’s Bazaar.
(via fuckyeahrobertandsusan)
eagle tattoo on We Heart It. http://weheartit.com/entry/21217838
ahahahahaha! http://weheartit.com/entry/9763454
jared leto on We Heart It. http://weheartit.com/entry/21559110
why don’t you do right - julie london
In a scene repeated with terrifying frequency as flames engulfed the top of the towers, a man falls (or leaps, as was evidently the case with many victims) to his death from the World Trade Center. On the morning of September 11 photographer Richard Drew, in the midst of another assignment, got the call to drop everything and head to the World Trade Center. As soon as he arrived downtown he began shooting; later in the day, as as he processed what he had shot, he was especially struck by this photo — and with reason. One of the most recognizable pictures made on 9/11, the image from a purely photographic perspective is breathtaking: the miniscule human form caught against the massive, abstract background of the towers is so obviously helpless, and doomed, that we’re tempted to reach out our hands to try and cradle the tiny anonymous figure. And while Drew himself refuses to conjecture about the man’s identity (“I prefer to think of him as a sort of Unknown Soldier,” he told LIFE.com), it’s impossible not to put ourselves in the falling man’s place — with all the dread and empathy that that sort of transference commands.
adhitia sofyan - bandaged
dumbledore : Lily. after all this time?
snape : always.
